looking at the chair_3

The work sits at the intersection of experimental photography, contemporary expressionism, and digital collage, with echoes of surrealism and painterly abstraction. The figure appears fragmented—almost absorbed—by a surface composed of matter, signs, brushstrokes, and eroded textures. The body ceases to be mere anatomy and becomes a territory, subjected to layers, glazes, and chromatic transformations. Dark, greenish, and bluish tones create an unsettling atmosphere, while circles and symbols introduce a ritualistic, mysterious dimension. The chair functions both as an element and as a support for a vulnerable presence, suspended between identity, memory, and metamorphosis.